Mama’s Going Back to School, Too!

Exactly one week until my kids go back to school.  Can I get an “Amen!” sisters?!

We all know that Back to School is a period more welcomed by burnt-out parents than by kids, but this year, my kids aren’t the only ones going back into a classroom.  I have signed myself up for a drawing class at a local art school.  The class is called …. I Wish I Could Draw.  So, perhaps, I’m not so much going back to school as starting all over again from Kindergarten.

I am one of those people who could happily take classes for the rest of her life.  Education is wasted on the young, and I regret so much not taking the Intro to Art History course in my undergrad years.  Lascaux to Rothko, it covered it all.  The textbook weighed five pounds.  My roommate took the class, and, honestly, at the time, it was not something that appealed.  But now, now that the same roommate has taught me how to really enjoy how to walk through a gallery, now that I have a much stronger frame of reference for all of those historical movements, now that I have a vocabulary for techniques and media, I am full of regret.

At least I have learned to love looking at art.  It is such a treat to go to a gallery and soak up all of the work on the walls.  I come away from craft fairs and art shows with a buzz from all of the creativity, and I think, “I wish I could draw.”

“I wish I could draw” is something I’ve thought and heard myself say so often that it feels slightly surreal to think I am finally doing something about it.  I do not expect to emerge as an artist ready for her own art shows, but I am so excited to begin learning.  I’m also excited to sit down with my kids at the museum and open my own sketch book with a little less self-consciousness, a little less trepidation, a little more abandon.

taken in London, where we spent part of the summer

This photo was taken in London, where we spent part of the summer.

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How to Transfer a Photograph Onto Wood: Easy DIY Tutorial

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Ever since catching a few photo transfer craft projects online, it’s been on my to do list.  I love natural materials so I focused on transfers to wood blocks. In the spirit of discovery for photography month here at 4 Mothers, I’ve just my first batch delighted to report that I think this is a keeper!  It’s easy (easy enough to do with patient children), takes few materials (fewer than I saw listed in other online tutorials), and makes a memorable and inexpensive keepsake or gift. You do know that Father’s Day is around the corner, right?

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What you’ll need:

– a block of unfinished wood (from the dollar store, or scrap from the hardware store)

– a photograph printed from a laser printer onto regular copy paper (note: the photo will end up being a mirror image unless you flip it on your computer before you print it.)

– Mod Podge or gel medium

– a sponge brush (or paint brush, which I used)

That’s it!  I went to the art store because I couldn’t find my jar of Mod Podge, and was all ready to buy that and a gel medium. The beautiful thing about art and craft stores is that the people there actually practice these things, and the young salesperson told me that Mod Podge and gel medium basically do the same thing. This fellow earned instant credibility as he had done transferred lots of photos in his time, including onto wood. Loved walking out of the store with just one product and more cash in my wallet.

What You’ll Do

1.  Cut the printed photograph to fit the wood to your liking.

2.  Paint a layer of Mod Podge onto the picture side of the printed photograph.  Be gentle here, especially if using a paintbrush rather than a sponge brush. I thought I was but my brush took off a corner of the picture.

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3.  Paint a layer of Mod Podge onto the wood’s surface where you want the photo displayed.

4.  Place the photograph picture side down onto the Mod Podged wood, so that the two Mod Podged surfaces meet.

5.  Smooth out the photograph with a flat sided tool (I used my rewards card from the art store, naturally).

6.  Let dry completely (2 to 3 hours).  (The art guy dries his for 24 hours “to be safe” but I like to walk wild, and just a few hours worked out over here.)

7.  Cover photo paper with a wet rag for a few minutes.

8.  Rub the white of the paper off the wooden block.  You’ll do this with a rag or your fingers by gently massaging the paper in different directions. The key word here is gentle; if you’re even a bit rigorous, you will rub the photograph off too and expose the wood underneath.  The goal is to remove the white surface of the paper while leaving the printed surface intact.  I think a bit of exposure of the wood is okay since the overall look is pretty rustic (I left mine alone), but you could also fill in the spaces with a grey marker as needed.

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You’ll probably need to repeat steps 7 and 8, going through the rubbing process more than once.  I thought I was done the first time and was surprised at how cloudy the photo was after it dried, so I had to get back to it.  Do it as many times as you need to until you’re satisfied with the image.

9. Once you’re finished removing all the white paper and the photo is dry, apply a layer or two of Mod Podge to the surface to seal the deal.  (It’s a sealant as well as a glue.)

That’s it!  This is one of those rare craft tutorials that is actually easier than it looks.  Hands on time was much less than an hour, and it’s pretty satisfying work. My son watched with pleasure as I transferred a photo of his first sleepover – this would be an easy sell for crafting with patient kids, and I think it would make a lovely gift from a child to anyone.

You can use any type of wood you like, as long as it’s unfinished so the photograph will stick (some people use sandpaper for extra grit; I didn’t need it), but I used a nice thick block that can easily stand up on its own.

Finally, the glory of this DIY project is that it’s both fun and forgiving. The goal of paper on wood is not to reflect perfection (for the birds, as they say) but beauty, through the people and images you find it in.

How to Take a Still Life with Your Phone Camera

As I mentioned in my post last week, I have been really energized by the practice of carrying my phone along on my walks and trying to capture some of what I see around me.  The fact that I give myself the task of capturing one good image from each walk means that I am looking around me more carefully, and when I see something interesting, I am then thinking about how best to frame it, capture it, translate it.

Here are some of the steps to capturing a great still life in nature.  If you are inspired to go out and take any photos after reading this, please post them and tag us on Twitter, Instagram or Facebook.  I’d love to see where your walks take you.

1.  Pay Attention.

What moves you?  What brings you a moment of joy?  Pay attention to your surroundings and tune into what’s important to you, what catches your eye.  What has been capturing my attention lately is colour and light.  Who can resist the bright flowers and the crisp greens of spring?  I took this picture on a really bright day, and what caught my attention was the way the leaves cast shadows on each other.

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The shadows multiplied the shades of green, and highlighted that really juicy pale green of the young leaves.  I tried it from several angles and distances.

This was too close to capture the feeling of the wide bright sky:

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And this captured the blue sky but not the intensity of the bright light, and the background is too busy:

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I finally realized that I would have to get underneath the tree and shoot towards the sun from an angle only possible from the ground, so I sat down on the sidewalk and got this:

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Now I had the shot that captured what I was seeing: new leaves, green shadows, bright light, blue sky.  This was taken with my iPhone camera with no filters, and it’s pretty close to the final image that I published on Instagram.  I then edited and framed the photo in Phototoaster so that the leaves on the bottom were off centre and in sharp focus, leaving the background foliage blurry, and I made the colour more intense.  These are effects that I added after the fact with my photo editor app: Phototoaster.  I love Phototoaster.  I am not the kind of person who likes to experiment or play with technology because I don’t have the patience, but Phototoaster is the exception.  With this app, you choose a photo from your phone camera album (the original is not changed), and then you have fun and play.  You can add shading, intensify colour, blur the edges, make it black and white or sepia, choose a texture that makes it look like an oil painting or an old photo.  So many possibilities and so much fun.  Taking the picture is really only the beginning; most of the effect comes from using the photo editor.

2.  Get Close.  Really Close.  Closer!

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I lost some of the resolution by using the zoom to get so close to this tiny lilac blossom, but I still like the final effect.  Get as close as you can without using the zoom to get the best resolution, and then play with the zoom when you edit.

3. Compose.

I did not want that lilac flower to be in the centre of the square photo, so I composed the photo with it off-centre, and the eye travels from bottom left to top right with the movement of the stalks.  Figure out where you want the eye to go.  Do you want symmetry or asymmetry?  Do you want attention all in the foreground, or do you want to keep details from the background?

4. Crop.

I do all my cropping in Phototoaster so that my original is not changed.  It’s a really important step that allows you to cut out any extraneous “noise.”

5. Edit.

This is the really fun part!  I have so much fun taking a photo through different incarnations.  When I took this photo, I wanted to capture my sense that the poppies were on fire.  Something about the early morning light shining through those fragile, feathery petals looked like flame.  This is as shot:

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And then to intensify the colour I played around with focus until I got the best impression of fire that I could.  I actually had a hard time deciding between these.

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6. Frame.

It’s the final step to making your image pop.

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Oral vs. Written Family History: Not the Only Options

Which is the better way to preserve memory, stories told or stories written?  The debate is a long-entrenched one, with written documents claiming ascendency over the oral tradition in the western world.  So suspicious are we of oral testimony, even when you swear an oath in court, you do so with your hand on the Bible, a written text.

As anyone who has ever lost the contents of her computer’s hard drive or suffered a flood or a fire or an over-zealous co-habiting purger will know, written documents are exceptionally vulnerable.  The written record is only as good as its ability to survive the elements and the whims of fate.

My husband is an avid Franklin expedition historian, and he has been writing about the search for the missing ships of the ill-fated English captain for years. When researchers finally found the lost ships of the Franklin expedition, they were right where the Inuit had said they were all along.  I admit to feeling delight at that confirmation, not least because it validated the oral tradition.  I felt an odd sense of satisfaction in knowing that the written tradition that I hold so dear had not come through in this case.  I am overly dependent on writing and on photographs for recording history, and I like to think that something like a needle in a haystack could be found with stories that have been told for hundreds of years.

The oldest piece of English literature, Beowulf, is a marvel to me.  How did the bards manage to pass that poem down through time and generations?  How many hundreds and thousands of times did people gather to hear it before it was written down?

How do we know that what got written is definitive?  Does definitive matter?

It does in court, which accounts, perhaps, for covering both bases by swearing on the Bible.

There are other ways to confirm a spoken promise, though.  We also seal deals with handshakes, and it’s that tactile element of history that’s got me thinking these days.  In last week’s posts, Beth-Anne, Carol, Kerry, and I all chose objects to illustrate our family history that we can touch, and even though some of these are out of reach of small hands, some of them do get frequent handling.  I like the idea of capturing history in things that get frequent handling.

As poor as my memory is (Very poor.  For my own purposes, I’m squarely in the written and photographic record camp because I cannot be relied upon to remember anything.  I hoard books not just because I’m a bibliophile but because they are a (false) security blanket.), I do remember a designer on a TV show once saying about a very expensive front door handle that it was worth the price.  “It’s something that you will touch every day.”  That has stayed with me.  Something you will touch every day is worth paying more for, and something you touch every day would also surely be a wonderful piece of family history.Data dump Sept 15 2015 134

How does a tactile record of family history look?

I’m about to find out.  For Eldest’s Grade 8 graduation, I am having a quilt made for him from a selection of his old hockey, camp, school, books, movie and sports t-shirts.  They tell a story of who he was as a kid, a story that he will throw over himself every day, whether he sits to watch next season’s hockey games or read the next Hunger Games-like series that captures his imagination.  I picture him bundled up in it, and that’s the kind of (security) blanket in which I have full faith.  It is a gift I plan to give to his brothers, too, and to all three of them I will say the same thing:  If you ever tire of this and are tempted to throw it away, don’t.  Bring it back to me, and I will give it a home until the stories it tells speak to you again, as I hope they will for many, many years to come.

Family History into Art and Business: Jack & Marjorie Bags

il_170x135_825013083_hwzaI met Meghan, of Jack & Marjorie, at the One of A Kind Show in December.  I fell head over heels in love with her line of bags that are made from military surplus materials such as wool blankets, tents, rifle straps and duffle bags.  Looking at the bags made me think of a well-cropped photograph: each piece seemed to have captured perfectly the precise corner of blanket or length of waxed canvas that was used for the piece.

When I asked her about the history of her company, Meghan shared that it was named for her grandparents.  Her grandfather had been a soldier, so the military surplus materials was in honour of him.  She remembered the range of her grandmother’s handbags, so the femininity of the line honours her.  The perfect marriage of feminine and masculine, form and function.

I think what I most liked was seeing military surplus materials given a second life as not only an accessory but the end result of art and craft.  A beautiful beating of swords into ploughshares.  Check out her Etsy store here.

 

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DIY Gallery Wall and Jewelry Display

While I am not much of a DIYer, I am all about creating a living space that reflects my family and the people and things that we love. Have you heard of man-caves? Well, in this house of 5, I am the sole female. The lone wolf. A man-cave we don’t need but a mom-cave? Yes. That I do need!

My office is a small room in our basement that houses my favourite treasures, mostly books among a few knick-knacks and a beloved chandelier. I have slowly added to the room over the years, taking advice from Nate Berkus to only add things that I love and “tell my story”.

This one wall remained a blank space for years, but I finally decided to take wedding photos of my parents, in-laws, grandparents and grandparent in-laws (is that a term?) and create a gallery wall. The first step was deciding on frames that would fit nicely on the wall in a cluster of six. I am what some may call a traditionalist, and others may call boring, so black frames won out.

I then visited Blacks with the original photos, a few more than 60 years old, and spent some time with one of their photo technicians. They helped me to digitally restore and resize the photos. Their expertise proved invaluable and regardless of how tech savvy you may be, ask them for input. No need to DIY it all.

I would like to preface this by saying that a gallery wall is a lot harder to hang than it looks. First off, it involves math. A lot of it. And measuring. A lot of it. I can hold my own when it comes to math, but I wanted to limit the number of holes made in the wall. Needless to say the adage “measure twice, cut once” was running through my mind while I wielded my hammer.

My thorough research suggested that I tape off the gallery before actually hammering in the nails, and this worked out well for me. I was able to rearrange the photos and modify the spacing to my liking without puncturing the wall. Overall, I am happy with my handiwork (one is slightly off, but I can obsessed about that another day) but more so, this DIY project fills my space with people I love, and tells quite the story.

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Next up on my DIY project list was to arranging my collection of costume jewelry.

My pretty necklaces and chunky bracelets were stored away in boxes and drawers, not allowing for admiration or ready-to-wear. My favourite style blogger and interior designer, Erin Gates, provided inspiration with this picture from her recent best seller.

imgres-1Here’s my take. Thank you, Erin for showing us that it’s okay to have fun with our girly accessories!

I sourced a collection of inexpensive display vessels from Home Sense. The trays were less than $30, the cake stand was $6.99, the butter dish $6.99 and the small vase $3.99. The mug was from my kitchen.

I sourced a collection of inexpensive display vessels from Home Sense. The trays were less than $30, the cake stand was $6.99, the butter dish $6.99 and the small vase $3.99. The mug was from my kitchen.

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I have two of these guys flanking the display. My youngest calls them "the treasure men".  I like that.

I have two of these guys flanking the display. My youngest calls them “the treasure men”. I like that.

DIY Kids’ Birthday Parties: Looking for Inspiration

We are about to embark on Silly Season: that time of year when my little chickens hatched, one after the other, in April, May and June.  Three months of birthday planning and parties are ahead of me, and I am already behind!

I really enjoy hosting the kids’ parties at home.  Beth-Anne recently posted this list of tips from Alyson Schafer to our facebook page (via The Mabelhood) about hosting a party for kids at home.  It’s got lots of sound advice, and I especially liked how Schafer spelled out present etiquette: decide ahead of time if you will open presents at the party or after.  If you open them during the party, make sure the birthday child thanks each guest individually; if you open them after the party, make sure the birthday child sends a thank you note acknowledging the gift.  I like my kids to open the gifts after the guests have gone home, and I’m glad to know that it calls for an extra thank-you.

In the past, we’ve had parties at which we put on plays, parties with a fencing instructor, and, of course, sleepovers that featured very little sleep.  Beth-Anne has hosted a fabulous Ninja Party, and Carol has written about a horrible birthday party and the perils of trying to make everybody happy.

As I cast about for ideas for this year’s crop of parties, I keep coming back to the loot bags for inspiration.  I love putting loot bags together, and I usually find a book that works with the theme of the party: knights, magic, fairy tales.  My kids make bookmarks with a drawing and a note of thanks, and that goes into the book with each guest’s name printed at the top.  Add a sweet treat, bundle it up, and you’re done!

This year I’m putting the cart before the horse and looking at books that have inspired me recently and that could give me a theme:

charlieCharlie’s Dirt Day

written by Andrew Larsen

illustrated by Jacqueline Hudon-Verrelli

We could get the kids to paint flower pots, fill them with dirt and a plant and send them home with a good read and a green thumb.  Between the painting of the pot and the planting of the plant, there could be the kind of birthday chaos that is best enjoyed with a short shelf life.

lifeLife Doesn’t Frighten Me

by Maya Angelou

Paintings by Jean-Michel Basquiat

We’ve been twice to see the Basquiat exhibit at the AGO.  Both times, Littlest and Middlest got busy getting their art on.  The first time they sketched, the second time they sculpted, getting inspiration from the art on the walls.  We could do an art activity and get the kids to create their own signature motif, like Basquiat’s crown.

 

birdsOur Woodland Birds

written and illustrated by Matt Sewell

I can’t get enough of Matt Sewell’s bird illustrations.  They are an amazing balance of being entirely his own style while being reliable enough representations to help you identify the bird.  Littlest and I sat down yesterday to paint, a luxury afforded by the slowly tapering end of hockey season, and he painted an homage to Matt Sewell.  We could give the kids sketch books and pencils and make bird art.

 

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Guest Post: Jennifer Flores on DIY

jenniferWe are thrilled to have as our guest today Jennifer Flores.  Blogging since 2007, Jennifer is the writer behind Rambling Renovators, a chronicle of the renovations, DIY adventures, creative projects, and home life she shares with her husband and daughter at their home in Toronto. Offline, Jennifer focuses on bringing the blogging community and lifestyle brands together as the Founder and driving force behind BlogPodium, Canada’s Conference for Lifestyle and Design Bloggers.

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I’ve always been a DIYer. From the time I would make clothes for my dolls to now when I make felt food for my daughter’s play kitchen, I’ve always found joy in doing and making things myself. But in this world of Pinterest and Instagram where your feeds are filled with picture-perfect projects from seemingly over-achieving women, that joy can be short-lived.

Where we once derived pleasure from the simple act of learning a skill and using it to create something uniquely ours, nowadays the pleasure might not come until after our home-baked meal/Christmas craft/upcycled thrift store find generates likes and repins from dozens of strangers. And I think that’s when doing it yourself becomes a don’t. Social media has really allowed us to expand our ideas of what’s possible. I’ve been inspired by countless projects on Pinterest. I’ve dusted off the sewing machine, wielded the glue gun, and mastered the miter saw because others have done it so why can’t I? And that’s a good thing! It should be good enough. But still.

There is that feedback loop now that didn’t exist before. The need not only to do the thing but to share it as well. Increasingly, Doing It Yourself does not necessarily mean Doing It For Yourself. As a blogger, I’m well aware of the currency a clever and well-executed DIY brings: comments, page views, re-pins. Even in offline life, there is satisfaction in saying “Oh this? I made it myself”. When you start to seek that external acceptance though, you set standards that might be impossible to meet.

Then there’s the idea that DIY is somehow a step backwards, a regression to times when there was an expectation for a woman to be domestic. When did DIY become a four-letter word? To me, DIY is a choice and in some ways, an inevitability. If I’ve been given the skills and natural talents to be able to craft and create things, shouldn’t I do just that? My inability to throw a football is just as strong as my ability to throw a stylish fete. Neither of these define me as more or less of a person. It just is. I think DIY is just another facet of one’s personality, expressed in physical form. Just like we all have a singer and a painter inside of each of us (albeit at different levels of ability), we all have a DIYer inside us. And when one chooses to express that ability, online or offline, I think it’s a very beautiful thing.

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The Magic and the Mystery of Making Things

alafoss-lopi-1231I make and craft and create to discover the magic and the mystery in things.  Pickles?  I can make those!  Handknit sweater?  That, too!  A felted handbag?  I learned how to do it one summer seven years ago.  Lip balm?  I made some this year!

What all of these things have in common is not necessity or having to make do or any kind of motive of need or fashion.  Nor is crafting a particular passion.  I can go for months without taking up a new project.

What they have in common is that I wanted to unravel the mystery of something that struck me as beautiful and rare.  I loved making lip balm with my boys not only because it was a great idea for Valentine’s favours, but mostly because it took all of the mystery out of something I use several times a day.  I had been paying an outrageous $40 per tube of lip treatment because after many, many tries, it was the only one that worked.  Learning how to make my own, made cosmetics something totally accessible, and I could control the quality and the contents.  That was a powerful feeling.

I have known how to knit since I was a child, and my mother, bless her patience, helped along many a hobbled project when I was little.  Most of them I abandoned.  In elementary school, I think I may have completed a knitted bear, and perhaps a blanket to go with it, and in high school I made myself one simple summer sweater, but I was not a star knitter by any stretch of the imagination.  My mother was.  She knitted, crocheted and sewed the most beautiful and intricate things.  She always had a project on the go.  When I got to university, and my mother was an ocean away, I happened to see some gorgeous Icelandic wool on sale in a bin in big department store, of all places.  It came in a cellophane package, with about ten balls of wool for the main colour of the sweater and one ball each of the secondary colours.  There was a pattern for a chunky fairisle sweater, and it looked so wonderful for the Montreal winter that was already hinting at its severity.  (I had moved from Egypt.  I was not at all used to Canadian winter.)

I love the internet! This is not the pattern I used 25 years ago, but that's the model, complete with her white headband.

I love the internet! This is not the pattern I used 25 years ago, but that’s the model, complete with her white headband.

At first, I just looked at it longingly, feeling that it was something so far out of my reach, and then I thought, “No, I have what I need to be able to make that.”  I bought the wool and the needles, and I set out to make it.

The only problem was that in all the knitting I had done, my mother had always cast on the stitches for me.  I had never done that alone.  I didn’t have any choice but to go it alone this time, so I taught myself how to cast on simply by closing my eyes and remembering the motions of my mother’s hands as she did it.  There was a trick and a rhythm, and after a few false starts I found them.  I was amazed at the time to have been able to draw that out of my memory.  Muscle memory by proxy.

Making that sweater was so much more than just arming myself for a cold winter.  I felt such a sense of accomplishment in moving myself from beginner to intermediate knitter, and my joy at succeeding at the project was immense.  I wore that sweater for years with great pride.  I made two more, all with the same sense of joy, and with increasing confidence and willingness to improvise with colour and pattern.  It was also contagious: several other women in my dorm went off and bought the same kit, and we’d sit and knit together, avoiding term papers and the drama of the wider world for just that little while.  Making our own sweaters gave us a common purpose and a space apart from the world that worked so hard to define us.

The moment of remembering my mother’s hands casting on my stitches is a touchstone for me.  I think of it often and fondly as a minor miracle of memory and motion and chance.  How many times would I have actually witnessed her casting on stitches?  How carefully was I watching?  I often wonder if or what motions of my hands my own kids will remember years hence.  We don’t plan these moments, but in some way, shape or form, I hope that there will come a time when they are trying something and can close their eyes and see me doing it.

Hockey Nook DIY

I am a hockey mom.  It’s not all I am, of course, but with three boys in competitive hockey it sometimes really does feel like hockey fills every nook and cranny of our lives.  I took that feeling to its literal extreme this week with this hockey DIY project, and in less than 15 minutes, I filled a tiny corner of Middlest’s room with a hockey vignette.

My project began with a trip to Blacks.  We were invited to visit the store on Yonge at Eglinton to experience their Playground for Photography, and I was inspired the minute I walked through the doors.  We were introduced to a myriad of ideas for taking photos to the next level, from pillow cases, to phone covers to bound books, but I was most captivated by the gallery wall.  Humble instagram photos really came to life grouped together and mounted on interesting surfaces.  (I will be writing about my own gallery of photos from my daily walks for our Photography Month in June!)

Blacks kindly offered us a sample of a mounted photo, and I chose one of Middlest right after he had scored a goal.  Here is the original, taken with my iPhone in less than ideal conditions through plexiglass and with him in motion.  I mention this because you really do not need to begin with a perfect photo for this to work.

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I mistakenly shot the photo with a filter on my phone camera, but it was a fortuitous mistake.  I then cropped the picture and added shading to the corners and deep focus to blur the edges with Phototoaster.

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This is the image I gave to Blacks, and I chose to mount it on a metal plate that really complimented the tone and texture of the image.  Metal wall art begins at $34.99 for an image that measures 8 x 8, which is the size that I had.

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I love the mounted image, and I was so excited to find a place to hang it.  The photo is small, but I wanted to give it pride of place, so I knew that it would have to be part of a vignette, and the wall by Middlest’s bed was the perfect spot for it.

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Books are as big a part of our lives as hockey, and they really fill every nook and cranny of this house, so it made sense to include books in the vignette, too.  I put up an invisible book shelf from Umbra to ground the vignette with a stack of hockey books.

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Then I set one of the many, many hockey trophies this boy has already collected on top of the books.  And voila!  A quick and simple project to honour the ways we fill our days (and nights, and weekends, and holidays, and….)

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